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66 Street Type Findings
The Good, the Bad and the Ugly: Seoul Edition
From the workshop signs of the increasingly gentrified Mullae-dong district and the backyard print shops around Euljiro Printing Alley to the student-oriented streets of Hongdae and slightly faded nightlife districts such as Sinchon, Seoul presents a remarkably broad spectrum of individual public lettering.

99 Street Type Findings
The Good, the Bad and the Ugly: Tokyo Edition
The series ‘The Good, the Bad and the Ugly’ brings together typographic finds from a range of cities. The photographs present them as they were encountered: unembellished, unedited and without aesthetic or qualitative judgement. Rather than distinguishing between ‘good’ and ‘bad’ or ‘ugly’ design, the focus is on typography as a direct expression of everyday urban culture.

Detailed view of Hideji Terada’s “Tamiga” exhibition
Interview with Artist Hideji Terada
Of People, Characters and Layers of Time
Before Hideji Terada began his artistic career in 2022, he was a highly regarded graphic designer whose work had been featured, among other places, in the Tokyo issue of Slanted Magazine. In recent years, the artist, whose background lies in graphic design and lettering, has focused on expressive black-and-white forms and figures.

Nike Shinjuku, façade. Photo: Nike
Shūetsu Satō’s adhesive tape lettering
Tokyo Tape Type: From the Underground to the Flagship Store
In April 2026, a new NIKE flagship store opened on the east side of Shinjuku Station. In an environment that all but overwhelms the viewer with advertising messages, the creative team led by the Creative director Shuichi Narita (Nike) and art director Shun Sasaki (Ayond) achieved a move that was as engaging as it was clever: for the branding, they drew on the iconic adhesive-tape lettering Shūetsu-tai by security guard Shūetsu Satō, which for over twenty years has been inseparably associated with Tokyo’s busiest railway station—and indeed the busiest in the world.



