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On display in the Japan Poster Shop showroom: the huge B0 billboard for Stanley Kubrick's 2001: A Space Odyssey, a monumental survivor from the era of roadshow science fiction.

On display in the Japan Poster Shop showroom: the huge B0 billboard for Stanley Kubrick's 2001: A Space Odyssey, a monumental survivor from the era of roadshow science fiction.

The World of Japanese Film Posters

More about: The World of Japanese Film Posters

Designed to Disappear

In the second half of the nineteenth century, Europe fell under the spell of Japonisme. The visual language of a country that had only recently opened its doors to the West transformed painting, graphic design, fashion and the decorative arts. More than 150 years later, Japan is once again inspiring a renewed fascination around the world. A glance at today’s social media makes it clear that a new generation has developed an appreciation not only for Japanese pop culture, but also for the country’s everyday aesthetics, craftsmanship and design heritage. One indication of this shift came during Asian Art Week at Christie’s in New York last spring. Under the title Anime Starts Here: Japanese Subculture Reimagines Tradition, the auction house presented anime, manga, film posters and popular culture within the broader context of Japanese art and design. It marked a significant moment: for perhaps the first time, original Japanese film posters were presented not merely as collectibles, but as cultural artefacts worthy of standing alongside more established forms of Japanese art.

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Anti-gentrification protest in Kōenji, 2018. Photo: Andhika Faisal

Anti-gentrification protest in Kōenji, 2018. Photo: Andhika Faisal

Interview with SUBstore Founder Andhika Faisal

More about: Interview with SUBstore Founder Andhika Faisal

Koenji, Tokyo’s Defiant Neighbourhood

Just a few stops west of Shibuya in western Tokyo, the neighbourhood of Koenji feels like a different world. While the capitals famous entertainment districts are defined by neon lights and constant redevelopment, this corner of the city has long maintained a more independent spirit. Few people embody that connection between music, community and activism better than Andhika Faisal (Andy), founder of SUBstore. I met him to talk about the neighbourhoods unique character, its long-running anti-gentrification movement and why zines remain an important tool for documenting communities before they disappear.

More about: Interview with SUBstore Founder Andhika Faisal
Double-page spread from Manami Okazaki’s book “Kokeshi from Tohoku with Love”

Double-page spread from Manami Okazaki’s book “Kokeshi from Tohoku with Love”

Interview with Author Manami Okazaki

More about: Interview with Author Manami Okazaki

From Shitamachi with pride

Her articles have appeared in the Wall Street Journal, The Guardian, The Japan Times, and the South China Morning Post. Given the breadth of her work, the author Manami Okazaki can justifiably be described as tireless. I meet Manami in the historic district of Kyojima, at her studio which is housed in a traditional nagaya (row house). A conversation about traditional crafts, transformation, and cultural continuity, seated on tatami mats and surrounded by books.

More about: Interview with Author Manami Okazaki
99 Street Type Findings

99 Street Type Findings

The Good, the Bad and the Ugly: Tokyo Edition

The series ‘The Good, the Bad and the Ugly’ brings together typographic finds from a range of cities. The photographs present them as they were encountered: unembellished, unedited and without aesthetic or qualitative judgement. Rather than distinguishing between ‘good’ and ‘bad’ or ‘ugly’ design, the focus is on typography as a direct expression of everyday urban culture.

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Detailed view of Hideji Terada’s “Tamiga” exhibition.

Detailed view of Hideji Terada’s “Tamiga” exhibition

Interview with Artist Hideji Terada

Of People, Characters and Layers of Time

Before Hideji Terada began his artistic career in 2022, he was a highly regarded graphic designer whose work had been featured, among other places, in the Tokyo issue of Slanted Magazine. In recent years, the artist, whose background lies in graphic design and lettering, has focused on expressive black-and-white forms and figures.

More about: Interview with Artist Hideji Terada
Nike Shinjuku, façade. Photo: Nike

Nike Shinjuku, façade. Photo: Nike

Shūetsu Satō’s adhesive tape lettering

Tokyo Tape Type: From the Underground to the Flagship Store

In April 2026, a new NIKE flagship store opened on the east side of Shinjuku Station. In an environment that all but overwhelms the viewer with advertising messages, the creative team led by the Creative director Shuichi Narita (Nike) and art director Shun Sasaki (Ayond) achieved a move that was as engaging as it was clever: for the branding, they drew on the iconic adhesive-tape lettering Shūetsu-tai by security guard Shūetsu Satō, which for over twenty years has been inseparably associated with Tokyo’s busiest railway station—and indeed the busiest in the world.

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A (virtuell) walk to Vienna’s gilded Signs

A (virtuell) walk to Vienna’s gilded Signs

Vienna, Gilded

Pallas Athena, the Secession, the Plague Column—Vienna has never been sparing in its use of gilding on architectural landmarks. Far less attention, however, has been paid to the gilded shopfronts and commercial portals that came into vogue around the turn of the twentieth century, and which played a formative role in establishing Vienna’s reputation as a centre of sign painting.

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The Remarkable Rescue of a Historic Advertising Wall

In 2019, the Vienna Museum commissioned us to document the removal of a historic advertising wall on Favoritenstraße. Over the course of the week-long filming, a quiet tension accompanied the entire team, as uncertainty lingered over whether the severely deteriorated wall could, in fact, be preserved.

More about: Museum Documentary